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textile folk art appliqued and embroidered table cover ca. 1830-1840

Appliqued and embroidered table cover, ca. 1830-1840.  A whimsically and creatively designed table cover that epitomizes the finest elements of folk art table covers of this period.  

18th century spill box, CT ca. 1750, Ex. Keene Collection

This box was included in the March 1960 exhibit at the Detroit Institute of the Arts entitled, American Folk Arts from the Collection of Ruth and James O. Keene, wherein it was captioned “Spill box, Connecticut, ca. 1750”.  Complex carving on the front of the box features a well-developed and precisely carved heart that includes beautiful rosettes and design elements that correlate to the remaining areas on the front of the box.  SOLD

early textile yarn sewn rug early 19th century

Yarn sewn rug, 2nd quarter 19th century.  Sewn onto a homespun linen base, this early sewn rug features a central bouquet of red, rose, and white flowers tied with a bow, similar to a floral compote that was a popular motif during the early 19th century. 

19th century folk art watercolor Liberty Emblem of Peace 1823

Liberty “Emblem of Peace” dated 1823.
SOLD

mirror, painted 18th century Queen Anne

Charming, diminutive mid-18th century mirror, probably New England.  The shaped crest sits on a molded frame.  The reddish/brown painted surface is dry and “sugary” and appears to be original.  As does the looking glass that has the expected and appropriate de-silvering of glass from this period.  SOLD

19th century folk art jacob eichholtz portrait on wood panel ca. 1808 - 1811

Portrait on wood panel, attributed to Jacob Eichholtz (1776-1842).  This rare small oil on wood panel dates to Eichholtz’s earliest period, 1808-1811, when he painted his subjects simply and in profile.  This handsome young gentleman has ginger colored hair, attractive features, and is dressed and coifed in the style of the period.  
 

Rare theorem on velvet with distinctive features, New England, ca. 1835

This rare theorem on velvet is one of a small school of theorems with artistic and distinctive characteristics made in New England in the 1830s.  Another example was owned by Mary Allis, then Nina Fletcher Little. 

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